Consumer Hospitality & Travel Events & Venues

Performing Arts Venues

High-touch engagements where experience, trust, and multi-party logistics determine satisfaction.

AEG Presents Broadway Across America SMG Nederlander
Inside this journey
  1. Pre-Discovery

    Align the room on outcomes, decision process, and constraints before deeper discovery.

    1. Stakeholder Alignment

      Confirm decision roles, budget windows, political constraints, and what success looks like for each stakeholder.

      Alignment Questions

      Getting to Know Your Venue Story

      • Tell me the short origin story of this venue—who owns it, why it was built, and what people told you it would accomplish.
      • How would you describe this venue’s primary mission today? Options: Community arts hub, Presenting professional touring shows, University performance/education space, Rental/recital-focused, Mixed-use cultural center, Other
      • Who formally holds responsibility for the venue’s performance (budget/operations/programming)? Options: City/county cultural affairs, University department, Nonprofit board, Hybrid (shared responsibilities), Private owner/management
      • What recent milestone or event (positive or negative) best captures where you are now—think opening, budget shortfall, community complaint, or a successful series.
      • Which of these best describes the timeline you’re thinking about for making a management decision? Options: Immediate (next 1–3 months), Short (3–6 months), Medium (6–12 months), Long (12+ months), Undecided

      Are You Quietly Settling for Low Expectations?

      • When you compare this venue to peers you admire, what are you most surprised we accept as "normal" here?
      • How would you summarize the venue’s financial performance over the last 3 years? Options: Running a surplus, Breaking even, Small deficit (under 10%), Material deficit (10–30%), Large deficit (30%+), Unknown
      • What percent of available performance dates do you typically book each year? Options: 75–100%, 50–75%, 25–50%, Under 25%, We don’t track
      • How often do technical or facility limitations force a presenter to change their production or cancel? Options: Almost never, Occasionally, Regularly, Frequently, Don’t know
      • Tell me about a recent moment when you realized the venue wasn’t meeting expectations—what happened and who felt the impact most?

      Who’s Holding the Keys—and What Do They Really Want?

      • If we asked each decision-maker what success looks like for this venue, what three different answers would we hear?
      • Which stakeholders have veto power or final sign-off on a new management partner? Options: Elected official(s), City manager/administrator, Board chair/board vote, University provost/president, Facilities director, Other
      • Describe the budget cycle and funding windows that would affect contracting for management services—when must decisions be made to hit fiscal deadlines?
      • What political or community sensitivities should a prospective operator understand before proposing changes?
      • Who are the informal influencers—artists, donors, municipal staff—whose buy-in matters even if they don’t sign contracts?

      What Keeps You Up at Night?

      • If nothing changes, what’s the most likely way this venue’s problems escalate over the next 18 months?
      • How long have financial shortfalls, calendar gaps, or deferred maintenance been an issue for you? Options: Less than 1 year, 1–2 years, 3–5 years, 5+ years, Not sure
      • What recent incident—an emergency repair, a poor audience experience, a dropped presenter—best illustrates the risk you fear?
      • Beyond budgets and buildings, how do these challenges affect your relationships with elected officials, donors, or the local arts community?
      • Which of these consequences would be most painful for you or your organization? Options: Loss of political support, Donor withdrawal, Venue closure for repairs, Community backlash, Decline in resident artists’ trust, Other

      What Would It Feel Like If This Worked?

      • Imagine it’s 12 months after a successful operator took over—what three concrete signs tell you this was worth doing?
      • Which audience and financial metrics would make you comfortable that the venue is thriving? Options: Increased annual attendance, Higher earned revenue %, Improved average ticket price, Better calendar utilization, Stronger donor engagement, Other
      • What mix of programming would signal healthy community alignment—local artists, regional presenters, touring acts, educational programs, rentals, or something else? Options: Local/community, Regional touring, National touring acts, Educational/college productions, Private rentals, Hybrid/mixed
      • Beyond numbers, what would audience and community sentiment sound like—what words would you hear reporters, donors, or patrons using?
      • Who needs to feel this success most—staff, city leadership, board, artists—and how would their day-to-day change?

      What Would Have to Change for That to Happen?

      • What single constraint—budget, politics, technical capacity, staffing, or calendar access—do you think most prevents that vision from arriving? Options: Budget/subsidy levels, Political appetite, Technical/rigging limitations, Lack of experienced staff, Calendar conflicts/availability, Community resistance
      • Have you tried solving these problems before? If so, what was attempted, who led it, and what stopped it from sticking?
      • What operational changes would you be willing to consider (e.g., different staffing model, revised rental terms, new marketing approach) and which are absolute no-go’s? Options: Open to all reasonable changes, Only limited operational changes, Prefer maintaining current model, Undecided
      • Which technical or facility upgrades are mandatory versus ideal—for example, improved sound, lighting, seating, or HVAC? Options: Mandatory upgrades, Nice-to-have improvements, No upgrades needed, Unsure
      • How much runway (months) do you think is realistic for seeing meaningful improvement after a new operator starts? Options: 3 months, 6 months, 9 months, 12+ months, Depends on scope

      Let’s Map a Realistic First Trial—what would success prove?

      • Would you be open to a structured trial (one performance or short series) to validate an operator? Why or why not? Options: Yes—very open, Maybe with conditions, Prefer a longer pilot, Not open
      • What would count as a successful trial—ticket sales targets, audience demographics, revenue split, presenter satisfaction, technical smoothness, or political acceptance? Options: Ticket sales targets, Audience diversity/size, Financial reconciliation, Presenter feedback, Technical performance, Stakeholder approvals
      • Who would need to sign off that the trial succeeded, and what evidence would each stakeholder require?
      • What constraints (dates, staffing, vendor availability) must we account for when planning a trial event?
      • If a trial underperforms, what remedial actions would you expect to see from the operator to rebuild confidence? Options: Refunds/financial remediation, Revised marketing plan, Operational/process changes, Extended trial period, Termination of agreement, Other

      Practical Next Steps: Who, When, and What Should Happen First

      • Who should be the single point of contact on your side for next-stage planning, and what’s their preferred way to be involved?
      • What documentation would you want a prospective operator to provide up front (budgets, references, sample KPIs, technical rider, insurance certificates)? Options: Annual budget statements, Client references/case studies, Sample KPIs and reporting cadence, Technical specifications and rider, Insurance and indemnity templates, Other
      • What is your ideal decision-making timeline from proposal to contract signature? Options: Under 1 month, 1–3 months, 3–6 months, 6+ months, Tied to fiscal cycle
      • How would you prefer to evaluate proposals—site visit and trial, written RFP + interviews, financial model review, or committee presentation? Options: Site visit + trial, Written RFP + interviews, Financial model deep-dive, Committee presentation, Combination
      • What would make you feel confident enough to move from conversation to a formal trial agreement?
    2. Facility Assessment

      Capture facility condition, seating capacity, technical limitations, and deferred-maintenance risks that affect operations and programming.

      Facility Facts

      Start with a Quick Tour

      • Tell me the facility name, who owns it, and who currently manages day-to-day operations?
      • How old is the building and when was the last full capital upgrade? Options: Under 5 years, 5–10 years, 11–20 years, Over 20 years, Unknown
      • What is the standard seating capacity and do you have alternate configurations (e.g., cabaret, flat-floor, festival seating)? Options: Fixed proscenium, Flexible/black box, Cabaret/banquet, Festival/standing, Multiple configurations, Unknown
      • Who should we loop in for facility logistics and who signs off on changes (names/titles preferred)?
      • On a typical week, how many public events versus private rentals does the venue host? Options: Mostly public events, Mostly private rentals, Roughly even mix, Very few events currently, Unknown

      If This Building Could Tell Its Greatest Regret...

      • When you think about deferred maintenance, what single failure would most damage your reputation or force a closure?
      • Which of the following deferred-maintenance issues exist today? Options: Roofing/water intrusion, HVAC failure/inefficient heating, Electrical panel or capacity issues, Structural concerns, Seating or floor degradation, None/Not documented, Other
      • How long have those issues been present and have any led to cancellations in the past three years? Options: Under 6 months, 6–18 months, 1–3 years, Over 3 years, Not sure
      • What is your current annual capital maintenance budget (or the typical funding source)? Options: Line-item in municipal budget, Grant-funded capital cycles, Donor-funded, Ad-hoc/emergency only, No dedicated budget, Prefer not to say
      • If an urgent maintenance cost over $50k appeared tomorrow, how would that decision be made and how quickly could funds be allocated?

      What’s Blocking the Big, Ambitious Shows You Envision?

      • What technical limitations have you accepted as the norm—but suspect are preventing higher-level programming?
      • Which of these technical capabilities are currently lacking or constrained? Options: Rigging/fly system capacity, Stage depth/width/height, Power capacity and distribution, Audio system fidelity, Lighting inventory and control, Digital projection/video support, Backstage load-in access, None of the above/fully equipped
      • How easy is it to book touring acts that require 50+ channel audio, full theatrical rigging, or significant load-in equipment? Options: Easy, Possible with negotiation, Often refused due to limits, Never attempted, Unknown
      • Tell me about any workarounds you rely on (e.g., renting generators, using remote dressing rooms, temporary seating). How often are those needed?
      • Do you have a current technical rider or spec sheet we could review, and when was it last updated? Options: Yes—updated within 12 months, Yes—updated 1–3 years ago, Yes—but older than 3 years, No, not available, Unknown

      Who Really Holds the Keys to Change?

      • Who are the decision-makers when it comes to changes in operations, capital improvements, or contracting an operator—and who usually objects?
      • Are there political, procurement, or labor constraints we should expect (e.g., city council approvals, union jurisdiction, procurement cycles)? Options: City council approval required, Public procurement rules apply, Union labor agreements govern staffing, Historic preservation limitations, None/No major restraints, Other
      • How long does a typical approval cycle take for a mid-size capital or operational change (weeks/months)? Options: Under 4 weeks, 1–3 months, 3–6 months, 6+ months, Unpredictable
      • When stakeholders disagree, what tends to tip the decision one way—financial data, political pressure, community voice, or something else? Options: Financial analysis, Political leadership, Community advocacy, Donor influence, Regulatory requirement, Other
      • Who else in your organization should be part of conversations about programming and facility fixes (e.g., finance director, facilities manager, legal counsel)?

      If Seats Could Speak: How Do Audiences Experience This Place?

      • What do you hear most from patrons about the building experience—what delights them and what frustrates them?
      • Are accessibility and ADA needs fully met across seating, entrances, restrooms, and dressing rooms? Options: Fully compliant, Mostly compliant with gaps, Significant accessibility gaps, Unknown
      • What is your average occupancy rate for the last full season and your busiest event type? Options: Under 30%, 30–50%, 51–70%, 71–90%, Over 90%, Unknown
      • Can seating be reconfigured to match event types quickly, or does configuration require days and contractors? Options: Quick on-site reconfiguration, Requires limited crew (hours), Needs outside contractors (days), Fixed—cannot reconfigure, Unknown
      • Have you tracked patron complaints tied to sightlines, sound quality, climate control, or restroom queues? Any memorable examples?

      Money, Maintenance, and Moment-of-Truth Risks

      • If a single maintenance failure could create a multi-year financial hole for the venue, which item would that be?
      • How is facility maintenance scheduled and tracked today? Options: Dedicated CMMS software, Shared spreadsheets, Ad-hoc work orders, Contractor-managed, No formal system
      • Describe your relationships with key contractors—are they under long-term agreements, on call, or inconsistent? Options: Long-term preferred vendors, Retainer/maintenance contracts, Ad-hoc contractors, No reliable vendors, Other
      • Have you had recent claims or insurance events related to the facility (water damage, electrical fire, structural issues)? Options: Yes—within 12 months, Yes—1–3 years ago, Yes—over 3 years ago, No, Prefer not to say
      • Is there an emergency reserve or contingency fund earmarked for venue-critical repairs? Options: Yes—sufficient, Yes—limited, No reserve, Unknown

      When Tech Fails on Opening Night

      • Tell me about a recent technical failure and how your team handled it—what went well and what exposed gaps?
      • Which technical roles are staffed in-house versus contracted for events? Options: Full in-house technical team, Hybrid in-house + contractors, Mostly contractors/outsourced, No technical coverage currently
      • Do you maintain spares for critical items (mixing console, dimmer packs, mics, cables) or rely on rentals? Options: Comprehensive spare inventory, Partial spares, Rely mostly on rentals, No spares/unknown
      • How complete and current are your documentation assets—stage plots, rigging plots, power maps, and equipment inventories? Options: All up-to-date and digitized, Some items up-to-date, Mostly outdated, Not documented
      • If we were to run a technical rehearsal for a touring act, what would be the three biggest obstacles we'd need to solve first?

      Imagine the Programming You Want—Given What You’ve Got

      • What types of events do you most want to attract (e.g., orchestral, Broadway touring, contemporary concerts, community productions)? Options: Orchestral/classical, Theatrical/Broadway, Contemporary concerts, Comedy/lectures, Community/educational, Film/AV events, Other
      • Which of those event types currently get turned away because of facility limits or risk exposure?
      • What is the typical lead time presenters here require to book (in months) for the event types you want? Options: Under 3 months, 3–6 months, 6–12 months, 12–18 months, 18+ months, Unknown
      • What programming ambition feels out of reach today but would be possible with 1–3 targeted facility investments?
      • Which of the following would most unlock new programming revenue for you? Options: Improved technical capacity, Increased seating/comfort, Better patron amenities (restrooms, lobbies), Stronger back-of-house (dressing rooms, load-in), Marketing/ticketing upgrades, Other

      Priorities, Timelines, and a First Small Win

      • If you had to name the top three facility priorities for the next 12 months, what would they be (ranked)?
      • How much capital or operating budget could realistically be allocated to facility improvements in the next budget cycle? Options: Under $25k, $25k–$100k, $100k–$500k, $500k–$1M, Over $1M, Unknown
      • What timeline is acceptable for seeing measurable improvements to bookings or operations after changes are made? Options: Under 3 months, 3–6 months, 6–12 months, 12+ months, Unsure
      • Would you consider a short trial engagement focused on a single event or series to validate improvements before a larger commitment? Options: Yes—interested, Maybe—need details, No, not interested
      • Who needs to be present for a site-walk and prioritization session, and when is the soonest we could schedule it?
  2. Customer Discovery

    Clarify desired outcomes, audience objectives, financial targets, constraints, and stakeholder success signals.

    Discovery Questions

    Start with the Story People Tell About Your Venue

    • In a sentence or two, how do you describe your venue and its role in the community?
    • What type of organization owns or oversees the venue? Options: Municipality / city, University / campus, Nonprofit arts organization, Private owner, Public-private partnership, Other
    • What is the venue’s capacity and primary performance spaces (main house, black box, rehearsal room)?
    • How would you briefly summarize your last 12 months of programming—high points, low points, and any notable gaps?
    • Which best describes your current management model? Options: Fully in‑house team, Contracted/outsourced operator, Volunteer-led or committee, Hybrid (mix of in-house + contractor), No formal management structure
    • What specifically triggered interest in exploring a new management approach now? Options: New construction/just completed facility, Existing management contract ending, Consecutive operating deficits, Donor or political pressure, Programming gaps / low utilization, Other

    What's the Risk You're Quietly Tolerating?

    • What’s the single problem about the venue that keeps you up at night—and why hasn’t it been solved already?
    • How long has this issue been affecting operations or programming? Options: Less than 6 months, 6–12 months, 1–3 years, 3–5 years, Over 5 years
    • Who inside or outside the organization has tried to address this before, and what was the outcome?
    • If nothing changes in the next 18 months, which of these is most likely to happen? Options: Increased annual subsidy, Emergency closure for repairs, Loss of key presenter/partner, Erosion of donor or political support, Reputational damage in the community, Other
    • Which internal constraints have most blocked progress? Options: Insufficient budget, Political resistance, Staffing gaps / turnover, Limited technical capacity, Contractual obligations, Other
    • How would you rank the urgency to act? Options: Immediate (0–3 months), Short-term (3–9 months), Medium (9–18 months), Long-term (18+ months), Unsure

    Who Will Celebrate — And Who Could Block It?

    • Name the three people or groups whose approval matters most—who will champion this, and who could stop it?
    • For each stakeholder you named, what would a successful outcome look like to them? Please give brief examples.
    • Which stakeholder controls the budget or final contractual sign‑off, and what is their decision timeline? Options: City fiscal / budget cycle, University board / provost schedule, Nonprofit board meetings, Independent donor timetable, Grant/foundation cycle, Other
    • Who on your staff would be the day‑to‑day counterpart for us during discovery, trial, and transition? Options: Executive Director, Cultural Affairs Commissioner / Director, Facilities Manager, Box Office Manager, Board Chair, Other
    • Are there political, community, or cultural sensitivities (programming controversies, historic preservation, neighborhood relations, accessibility concerns) we should know about? Options: Historic preservation constraints, Community presenter expectations, Accessibility / ADA concerns, Neighborhood noise or traffic issues, Political scrutiny, Programming controversies, None / Unsure, Other
    • How comfortable are those decision‑makers with testing an external operator or new management model for a limited period? Options: Very comfortable, Somewhat comfortable, Hesitant — needs strong safeguards, Opposed, Unsure

    Money Talks—What Are We Trying to Protect or Grow?

    • If your financial targets were guaranteed tomorrow, would you keep your current programming mix—or would you pursue different shows and rental strategies?
    • Which range best describes your most recent annual operating subsidy or net deficit? Options: Less than $50k, $50k–$250k, $250k–$500k, $500k–$1M, Over $1M, Unknown
    • Which revenue streams carry the most weight today? Options: Ticket sales, Facility rentals, Concessions / F&B, Sponsorship / advertising, Grants, Donations / fundraising, Parking, Other
    • What are your typical ticket price bands (low, mid, premium) and any discounting practices?
    • Have you experimented with pricing strategies (dynamic pricing, subscriptions, packages, negotiated guarantees) before? Options: Yes — multiple strategies, Tried a few elements (subscriptions, discounts), No, but open to it, No and not interested, Unsure
    • What financial reporting cadence and level of detail would you require during a trial period? Options: Weekly operational snapshots, Bi‑weekly summaries, Monthly financials + narrative, Quarterly board reports, Other

    Who Should Be in the Room When Seats Fill?

    • Which audience or audience segments are you most under‑serving today—if we reached them, how would the venue’s prospects change?
    • Select the audience segments you want us to prioritize (pick all that apply). Options: Local residents / community, College & university students, Regional touring presenters, Classical / legacy patrons, Family / children, Community presenters and non‑profits, Corporate rentals / private events, School groups / educational, Tourists / visitors, Other
    • For your top priority audience, what are the main barriers preventing them from attending more often?
    • What marketing or outreach tactics have driven the best results (or the worst) in the past?
    • How quickly do you expect audience composition or volume to shift if we pursue a focused strategy—what’s realistic in 12 months? Options: Modest change (5–10%), Meaningful change (10–25%), Transformational (>25%), No material change expected, Unsure
    • How hands‑on should we be in programming curation versus acting as a platform for external presenters? Options: Primarily curate programming, Primarily facilitate external presenters, Balanced approach (mix), TBD — depends on trial outcomes

    Where the Building Holds You Back

    • What production or programming ideas have you shelved because the facility cannot reliably support them?
    • Which technical constraints limit the shows you can program today? (select all that apply) Options: Insufficient rigging/overhead load, Limited stage depth/width, Small backstage / dressing rooms, Poor acoustic or sound system, Inadequate lighting inventory, Loading dock / truck access issues, HVAC / climate control limits, Accessibility constraints, Other
    • Are there deferred maintenance items that could cause cancellations or materially increase production costs? Options: Yes — immediate risk to events, Yes — likely within 12 months, Yes — long‑term plan exists, No, Unsure
    • Describe a recent incident where technical or facility issues negatively affected an event.
    • How flexible is your calendar for multi‑day tech rehearsals or staggered load‑ins? Options: Highly flexible, Somewhat flexible, Tight — only occasional openings, Very constrained / almost no flexibility
    • If budget were available, which single technical upgrade would unlock the most programming opportunity?

    Headline in 12 Months: What Does Success Sound Like?

    • Fast‑forward 12 months: what single headline would make you say, 'we did it'?
    • Which one metric matters most to you right now? Options: Net operating margin / reduced subsidy, Booked event days / utilization, Average ticket sell‑through, Diversity of programming, Community satisfaction / participation, Donor retention / fundraising, Other
    • What qualitative signals would convince you community trust or enthusiasm has been restored?
    • What trade‑offs are you willing to accept to reach those goals (e.g., more rentals, higher prices, narrower artistic scope)? Options: More rentals with revenue share, Increase ticket prices, Short‑term donor investment/subsidy, Accept narrower curation for revenue, Hire external operator for specific functions, Other
    • Which KPI achievement would trigger a decision to expand services or deepen our partnership? Options: Achieve break‑even, X% increase in ticket revenue (specify below), Consistent sell‑through above Y%, Sustained donor support growth, Other
    • Who needs to formally sign off on the final definition of 'success' and ongoing governance? Options: City official / council, University provost / finance, Board chair / board, Major donor(s), Executive director / CEO, Other

    What Would Make a Trial Impossible—or Irresistible?

    • If we proposed a 3‑month operational trial, what single condition would make you say yes—and what single condition would make you say no?
    • What trial duration would you be willing to consider? Options: Single event or short series, 1–3 months, 3–6 months, 6–12 months, Unsure / need discussion
    • What financial protections or risk‑sharing terms do you require for presenters and for the venue during a trial? Options: Revenue guarantees, Cap on presenter exposure, Insurance coverage requirements, Refund policy / force majeure, Shared risk / revenue split, Other
    • What reporting and governance cadence would prevent surprises during a trial? Options: Weekly operational reports + run sheets, Monthly financials + narrative, Bi‑weekly steering committee, Daily event debriefs during productions, Other
    • Who should be the trial owner on your side and what decision authority must they have?
    • Realistically, what timeline would you need from proposal acceptance to the first trial event? Options: Less than 1 month, 1–3 months, 3–6 months, 6–12 months, Unsure
  3. Solution Experience

    Translate current gaps into a validated operating model using realistic presenter and event scenarios to confirm programming, technical, and financial outcomes.

    Experience Meetings

    • Current State & Consequence Alignment
    • Scenario Workshop — Presenter & Event Runbooks
    • Technical Constraints Validation & Production Proof
    • Financial Modeling & Trial Booking Validation
    • Solution Experience Validation & Go/No-Go

    Issues & Enhancements

    • Define post-trial reporting KPIs and reconciliation cadence.
    • Obtain explicit validation (yes/no) from stakeholders that each runbook addresses the prioritized gaps toward the future state.
    • Assign owners for follow-up technical tests and financial models.
    • Owner to finalize and circulate runbook artifacts with highlighted assumptions within 48 hours.
    • Schedule technical validation slots and identify required equipment/personnel for each scenario.
    • Finance lead to draft scenario-level revenue/cost templates for the Financial Modeling session.
    • Recap Scenarios & Key Assumptions
    • Confirm which scenarios are technically feasible as-is, feasible with mitigations, or infeasible and why.
    • Produce a prioritized list of mitigations (temporary and capital) with owners and rough costs.
    • Establish technical test plan and explicit acceptance criteria that prove the future state for production readiness.
    • Schedule and resource the technical tests (dates, crew, rented gear) and notify relevant presenters/promoters.
    • Procure or allocate temporary equipment needed for tests and the trial events.
    • Produce a brief technical validation report after tests with pass/fail against acceptance criteria.
    • Recap Runbooks and Technical Constraints
    • Produce validated per-scenario financial models and sensitivity analyses that stakeholders accept as realistic.
    • Agree trial booking terms that limit downside for presenters and the venue while enabling a realistic test of the operating model.
    • Introductions & Meeting Objectives
    • Finance team to finalize scenario P&Ls and circulate with sensitivity tabs within 48 hours.
    • Legal/Commercial to draft trial booking terms and sample contract amendments for review.
    • Operations to prepare a template for post-trial KPI reporting and reconciliation checklist.
    • Read-out of Artifacts
    • Obtain explicit stakeholder validation that the Solution Experience proves the future state for at least one representative scenario.
    • Secure a formal go/no-go decision for the trial(s) with clear conditions and owners.
    • Document residual risks and assign mitigation owners for Deployment readiness.
    • Produce a concise artifact package to hand to the Deployment stage (signed statements, runbooks, test reports, financials, trial terms).
    • Collect formal sign-offs (email or signature) for go decisions and attach them to the trial charter.
    • Publish a single Solution Experience report containing all artifacts and distribute to governance committee.
    • If no-go on any scenario, capture required remediation actions and timeline required before re-presenting for validation.
    • Achieve stakeholder sign-off on a single-sentence current state describing what is breaking today.
    • Quantify and document explicit consequences in dollars, schedule, or political risk for the prioritized gaps.
    • Agree a measurable, one-sentence future state that the Solution Experience will validate.
    • Assign owners and data deliverables required to run scenario workshops and technical validation.
    • Publish the agreed one-sentence current-state and future-state statements and circulate to all attendees.
    • Customer to deliver detailed P&L, deferred maintenance log, and event calendar (as pre-work) within 3 business days.
    • Seller to prepare initial gap map and template runbook for the Scenario Workshop.
    • Recap Current/Future State
    • Produce 2–3 detailed event runbooks that map operational workflows end-to-end.
    • Surface and document the critical assumptions and constraints that must be validated technically and financially.
    • One-sentence Current State
    • Technical Inventory Review
    • Select Representative Scenarios
    • Forced Validation — Preconditions Check
    • Base-case Financial Model Walkthrough
    • Sensitivity & Downside Scenarios
    • Scenario-by-Scenario Feasibility Walkthrough
    • Consequence Quantification
    • Risk Review & Mitigation Commitments
    • Build Event Runbook (Scenario 1)
    • One-sentence Future State
    • Trial Booking Terms & Protections
    • Define Technical Test Plan
    • Build Event Runbook (Scenario 2)
    • Go/No-Go Vote for Trial Scenarios
    • Functional SME Breakouts
    • Temporary vs Capital Fixes & Cost Estimates
    • Reporting & KPI Definitions for Trial
    • Agreement on Trial Schedule, Owners, and Acceptance Criteria
    • Gap Mapping & Prioritization
    • Decisions & Next Steps
    • Capture Unresolved Decisions & Next Steps
  4. Solution Scope

    Define management services, deliverables, roles (programming, FOH, production, maintenance, finance), KPIs, and trial booking terms.

    Scope Configuration

    • Operate Box Office and Ticketing
    • Perform Box Office Reconciliation and Settlement
    • Staff Front-of-House and Ushers
    • Provide Event Turnover Custodial Services
    • Operate Concessions and Bar Services
    • Provide Dressing Room and Artist Hospitality Services
    • Execute Load-in, Rigging, and Load-out
    • Provide Technical Production Crew and Equipment
    • Operate and Program Lighting Systems
    • Operate Sound and FOH Mixing
    • Operate Projection and AV Systems
    • Provide Venue Security and Crowd Management
    • Perform Routine Facility Maintenance and Repairs
    • Maintain and Service Production Equipment

    Scope Questions

    Operate Box Office and Ticketing

    • Which ticketing platforms or systems do you currently use or prefer us to operate (select all that apply)? Options: Venue-managed system (specify), Audience development platform (specify), Third-party marketplace (e.g., Ticketmaster), None / Open to recommendation
    • Do you require walk-up / box office hours and in-person sales on event days? Options: Yes — full box office hours, Yes — limited/event-day only, No — online only
    • What percentage of sales do you expect to be online vs in-person vs phone? (provide approximate split)
    • Are there special ticket types or controls required (e.g., comps, industry comps, house seats, ADA seating, dynamic pricing)? Options: Comps & house seats, ADA/reserved accessible seating, Dynamic / tiered pricing, Subscription / series management, Other
    • Do you require on-site hardware (scanners, printers, cash drawers) provided and maintained by the operator? Options: Yes — provide and maintain, Operator provides, client supplies consumables, Client provides all hardware
    • Are there reporting, CRM, or patron-data export requirements we should meet (formats, frequency, fields)?

    Perform Box Office Reconciliation and Settlement

    • What settlement cadence do you require for event revenue (e.g., daily, weekly, post-run)? Options: Daily, Weekly, Per event/run closure, Monthly
    • Who receives net settlements (presenter, venue, third-party partner) and do allocations vary by event type? Options: Venue, Presenter, Split — specify, Other
    • Which payment methods and merchant providers need to be reconciled (credit card gateways, cash, checks, mobile wallets)? Options: Credit card (gateway specified), Cash, Checks, Mobile wallets (Apple/Google Pay)
    • Do you require automated GL posting or integration with a finance/accounting system (specify system)? Options: Yes — integrate (specify), No — provide CSVs/manual reports, Unsure — consult
    • Who is responsible for customer refunds, chargebacks, and dispute resolution? Options: Operator, Client/Presenter, Shared — per policy
    • Please list required reconciliation reports and required delivery frequency (e.g., daily box office summary, event P&L, fees breakdown).

    Staff Front-of-House and Ushers

    • What front-of-house roles must be staffed for events (ushering, house manager, box office support, coat check)? Options: Ushers, House Manager, Box Office Support, Coat Check, Accessibility attendants, Other
    • Will ushers/front-of-house staff be paid employees or volunteers (or a mix)? Options: Paid staff, Volunteers, Mix — specify
    • What are expected staffing ratios or headcount per audience size (e.g., 1 usher per X patrons)?
    • Are there union, certification, or training requirements for FOH staff (e.g., accessibility training, crowd management)? Options: Yes — list requirements, No
    • Do you require ticket scanning and mobile ticket validation at entry? If so, specify preferred hardware/software. Options: Yes — scanning required, No — visual check only, Prefer specific hardware (specify)
    • Should FOH staff handle on-site patron support issues (lost & found, accessibility requests, complaints) or escalate to venue management? Options: Handle onsite, Escalate to management, Hybrid — define thresholds

    Provide Event Turnover Custodial Services

    • What turnaround time is required between events for custodial turnover (minutes/hours)? Options: Under 30 minutes, 30-60 minutes, 1-3 hours, Over 3 hours
    • Which custodial tasks must be included in turnover (trash removal, restroom cleaning, floor care, stage sweep)? Options: Trash removal, Restroom cleaning, Floor vacuum/mop, Stage area cleanup, Backstage dressing rooms, Other
    • Do you require consumables (toilet paper, hand soap, paper towels) to be stocked by the operator? Options: Yes — operator supplies, Client supplies, Shared — specify
    • Are there special cleaning requirements (historic finishes, green cleaning standards, pandemic protocols)? Options: Historic-sensitive, Green/eco cleaning, Enhanced health protocols, None special
    • Should custodial services cover pre- and post-event deep cleaning or only surface turnover? Options: Surface turnover only, Surface + scheduled deep cleaning, Deep cleaning on request
    • Please describe any access constraints (loading paths, elevator use, night cleaning restrictions) that affect turnover work.

    Operate Concessions and Bar Services

    • Do you want operator-run concessions and bars, or will third-party vendors run them? Options: Operator-run, Third-party vendors, Hybrid model
    • Will alcohol be served and, if so, what licensing or ABC requirements exist? Options: No alcohol, Yes — venue holds license, Yes — operator must obtain license, Presenter-provided — special rules
    • What point-of-sale (POS) and inventory systems must be used or integrated? Options: Operator POS (specify), Client-provided POS, Integration with existing POS required, No POS — cash only
    • Do you expect concessions revenue-share, flat rental fee, or cost-plus model for food & beverage? Options: Revenue-share, Flat fee, Cost-plus, Other
    • Are mobile ordering, pre-order, or delivery-to-seat options required? Options: Yes — mobile/preorder, No
    • Please describe typical menu offerings, dietary requirements to support (e.g., vegan, gluten-free), and expected average check.

    Provide Dressing Room and Artist Hospitality Services

    • How many dressing rooms and green-room spaces must be supported and what capacity (number of artists) per room?
    • Should hospitality include catering/artist meals, rider fulfillment, and per-diems? Options: Full catering and rider fulfillment, Limited snacks/beverages, No catering — presenters handle
    • Do dressing rooms require laundry, towels, toiletries, and dedicated custodial service between shows? Options: Yes — full service, Yes — basic supplies only, No — presenter supplies
    • Are there security or credentialing requirements for artist areas (e.g., locked access, security staff)? Options: Locked/credentialed access, Basic signage only, Dedicated security required
    • Do you require a documented hospitality budget per event and approval workflow for extra rider items? Options: Yes — budgeted with approvals, No — ad-hoc as needed
    • Please provide any special accommodations commonly required by artists (accessibility, instrumental storage, climate control, rehearsal time).

    Execute Load-in, Rigging, and Load-out

    • Describe your stage access and loading infrastructure (loading dock dimensions, drive-on stage, freight elevator).
    • What are typical load-in/load-out windows and required minimum turnaround times? Options: Same-day turnaround, Overnight load-out, Multi-day load-in/out
    • Does the venue require certified riggers or union labor for flying and rigging tasks? Options: Certified riggers required, Union labor required, Non-union acceptable, Depends on event
    • What maximum rigging capacities and overhead grid information must be supported (weight limits, pipe schedule)?
    • Are special permits, street closures, or after-hours access required for large load-ins? Options: Yes — permits required, No
    • Do you require operator-supplied rigging hardware, dollies, and specialized transport equipment? Options: Operator supplies, Client/presenter supplies, Shared — specify

    Provide Technical Production Crew and Equipment

    • Which production crew positions should the operator provide (LD, A1, A2, FOH engineer, stagehands)? Options: Lighting Designer/Operator, Head Audio (FOH), Monitors/A2, A1/SM, Stagehands/Load-in crew
    • What baseline inventory of production equipment must be supplied (mixing console, mics, speakers, dimmers)?
    • Do you require per-show crew minimums and overtime rules (specify rates or union rules)? Options: Yes — specify minimums, No — flexible staffing
    • Should operator provide advance tech management (rider review, tech specs, input lists) during booking-to-performance? Options: Yes — full advance, Limited advance support, No — presenter handles
    • Are there backup equipment and redundancy requirements for critical systems (spare console, backup playback)? Options: Yes — redundancy required, No
    • Please list any specialized production needs (broadcast/livestream, orchestra pit equipment, piped-in audio) that affect staffing or gear.

    Operate and Program Lighting Systems

    • What lighting console and fixture types does the venue have (specify console model, LED, moving lights, followspots)?
    • Do you require pre-programmed cues and showfiles for recurring series or presenter tours? Options: Yes — pre-program cues, No — programmer onsite per show, Hybrid
    • Are followspot operators and training part of the required service? Options: Yes — provide operators, No — presenters supply, Train venue staff
    • Do you require DMX/network infrastructure management and patch documentation as a deliverable? Options: Yes, No
    • Should lighting control be integrated with automation or show control systems (e.g., cues tied to AV playback)? Options: Yes — integration required, No
    • Please describe any programming standards or vendor compatibility constraints (e.g., legacy dimming, moving fixture brands).

    Operate Sound and FOH Mixing

    • What is the house FOH console and speaker system specification (console model, speaker line arrays, delay towers)?
    • Do you require FOH and monitor engineers provided by the operator for every show? Options: Yes — both FOH and monitors, FOH only, No — presenters supply engineers
    • Are there standard soundcheck durations and mic/input guarantees we must commit to? Options: Standard soundcheck included, Soundcheck by request, Input guarantees required
    • Do you require noise, SPL monitoring, and compliance reporting for local ordinances? Options: Yes — SPL monitoring mandated, No
    • Please list house microphone inventory and any specialty gear that must be maintained (wireless frequencies, instrument mics).
    • Are audio recording or multi-track capture/livestream feeds required as part of show deliverables? Options: Yes — recording/livestream, No
  5. Mutual Commit

    Finalize commercial and legal terms, insurance and indemnities, trial conditions, reporting cadence, and governance commitments.

    Agreement Modules

    • Statement of Work (SOW)
    • Master Services Agreement (MSA)
    • Commercial Terms & Fee Schedule
    • Insurance & Indemnity Schedule
    • Trial Booking Agreement
    • Reporting & Governance Plan
    • Acceptance & Performance Criteria
    • Site Access & Security Agreement
    • Technical & Production Responsibility Matrix
    • Change Order & Scope Management
    • Billing, Invoicing & Reconciliation
    • Data Sharing & Privacy Appendix
    • Termination, Exit & Transition Plan
    • Dispute Resolution & Escalation Path
  6. Deployment

    Operationalize rollout with readiness checks, enablement, and outcome validation.

    1. Pre-Deployment Readiness

      Confirm site access, staffing plans, technical inventories, ticketing and finance integrations, and risk mitigations prior to rollout.

      Readiness Questions

      A Quick Hello — Tell Us Where You Sit

      • What's your role and formal relationship to this venue (how you interact day-to-day)? Options: City cultural affairs director, University provost or staff, Nonprofit board chair/exec, Facility manager, Other
      • In one sentence, what success would look like for you at the end of the trial period?
      • Which best describes the venue right now? Options: Newly built / not yet opened, Recently renovated, Aging facility with deferred maintenance, Stably operated but underperforming, Other
      • Is there a current management contract in place and when does it end? Options: No contract (open procurement), Contract ends within 3 months, Contract ends in 3–12 months, Contract ends in >12 months, Not sure
      • What's the single most urgent thing we should know before we start planning logistics together?

      Are We Comfortable With The Dates We've Committed To?

      • We often see timelines quietly slipping—what would happen here if your desired launch or trial dates moved by 4–8 weeks? Options: Major political/promise implications, Minor inconvenience, No impact, Would require renegotiation with partners, Unsure
      • List the milestone dates that cannot change (contract start, opening night, funding deadlines, board reviews).
      • Who needs to sign off at each milestone, and how quickly do they typically respond to approvals? Options: Single executive decision-maker, Board approval required, Multiple departments (facilities, finance, legal), Public/governmental sign-off, Varies by milestone
      • If a critical milestone is at risk of missing, what escalation path has worked for you historically?
      • How comfortable are you with a phased rollout versus one big launch? Options: Prefer phased rollout, Prefer single launch, Open to either with guidance, Unsure

      Who Holds the Keys — and the Power?

      • Many venues believe decisions are clear—where do you see confusion or overlap in authority today?
      • Please identify the primary decision-makers for commercial, operational, and political matters (name & role if possible).
      • Which of these best describes the budget approval path for venue operations? Options: Central municipal/university budget office, Board-level approval, Director-level delegated authority, Mix of grants and delegated funds, Other
      • Are there political or community stakeholders whose approval is effectively required before public-facing events proceed? Options: Yes — elected officials, Yes — community advisory group, Yes — donors/funders, No, Unsure
      • How do stakeholders prefer to receive updates during pre-deployment (email, weekly calls, dashboards, formal memos)? Options: Weekly calls, Email summaries, Shared dashboard, Monthly board packet, Ad hoc meetings, Other

      Who's Going To Run The Place (Real Talk About Staffing)

      • If the venue had to open tomorrow, which critical roles are already staffed and which are gaps? Options: Box office, Technical manager/Chief of production, Front-of-house manager, Facilities/maintenance lead, Marketing/PR, Other
      • How many full-time equivalent (FTE) staff are dedicated to venue operations right now? Options: 0–2, 3–5, 6–10, 11–20, 20+
      • Tell us about any staffing constraints we should plan around—union rules, required certifications, background checks, or seasonal limitations.
      • To what extent do you rely on volunteers or community partners for event staffing? Options: Heavily (majority shifts), Moderate (supplement staffing), Rarely, Never
      • What training or onboarding windows are realistic before first trial events (days/weeks/months)? Options: 1–3 days, 1–2 weeks, 3–6 weeks, 2–3 months, More than 3 months

      How Solid Is the Tech Backbone (No Assumptions, Please)

      • When was the last full technical inventory and who owns the documentation? Options: Within last 6 months, 6–12 months ago, More than 12 months ago, Never / not sure
      • Which core technical systems do we need to validate before deployment (check all that apply)? Options: House audio system, House lighting system, Rigging and fly system, Video/projection, Backstage comms/IFB, IT and venue network, Box office hardware
      • Are there known production limitations (weight/load limits, stage depth, line-set constraints, power restrictions)? Please list specifics.
      • How often do you experience unplanned technical failures during events, and what typically causes them? Options: Rarely, Occasionally, Monthly, Weekly, Daily
      • Do you have on-site technical drawings, CAD files, or system schematics we can access? Options: Yes — fully documented, Partial documentation, Verbal knowledge only, No / unavailable

      Ticketing, Finance & The Money Trail — Who Touches the Cash?

      • If ticketing or settlement went wrong on opening night, who would be held accountable and how quickly would that be escalated?
      • Which ticketing and box office platforms are you currently using (or planning to use)? Options: Audience/CRM integrated vendor, Local box office system, University system, Multiple systems/third-party sellers, Not decided
      • What accounting system will handle venue revenue and expense recording? Options: Municipal/university ERP, QuickBooks or similar, Third-party accounting service, Separate P&L for venue, Not decided
      • How are revenue settlements with presenters currently structured and how quickly are payments reconciled? Options: Net proceeds to presenter after event, Guaranteed rental + settlement, Presenter takes box office risk, Mixed models, Unsure
      • What fraud, refund, or chargeback procedures are in place and who owns customer service for ticketing issues?

      When Things Go Wrong — Who Picks Up the Pieces?

      • If an event must be cancelled or the venue must close for safety reasons, what is the decision process and who signs the closure? Options: Facilities manager, Executive director, Board/government official, Emergency services, Other
      • Do you have an incident response plan that covers medical emergencies, fire, technical failures, and severe weather? Options: Comprehensive plan, Partial plans by department, Verbal procedures only, No plan
      • What insurance coverages exist today (GL, event cancellation, terrorism, cyber) and are limits sufficient for contracted operations? Options: Comprehensive & adequate, Some coverage gaps, Minimal coverage, Unsure
      • Are there maintenance backlogs that could trigger closures or safety hazards during early events? Options: Yes — critical items, Yes — non-critical items, Minor issues only, No backlog
      • How do you typically communicate incidents to stakeholders, audiences, and presenters? Options: Public alerts + email, Phone call to presenters, Social media + website, Internal-only then public, Other

      How Will We Know We’ve Succeeded (Stop Saying “Make It Work”)

      • If we ask for three measurable outcomes from the trial, what would you name (financial, operational, audience, political)?
      • Which of these KPIs matter most to you for the trial? Options: Ticket sales / attendance, Net operating margin, Presenter satisfaction, Repeat bookings within 12 months, Audience demographic targets, Operational incidents per event, Other
      • What acceptance criteria would prompt you to move from trial to a longer-term management agreement?
      • How often do you want performance reporting during and after the trial? Options: Daily during events, Weekly summary, Monthly deep-dive, At defined milestones only, Other
      • Who will provide the formal sign-off that the trial met expectations and when will that sign-off occur?

      If We Fail to Hand Off Cleanly, Who Will Pick Up the Pieces?

      • Assign ownership: who will be the single point of contact for day-to-day operations, technical issues, ticketing, finance, and public communications during rollout? Options: Named internal staff, Interim committee, External consultant, TBD
      • For each critical pre-deployment task (site access, keys, credentials, vendor contracts), what is the target completion date and who owns it?
      • What approvals or permits still need to be obtained before trial events can proceed? Options: Occupancy certificate, Fire marshal sign-off, Noise permits, Vendor/food permits, No outstanding permits, Other
      • How should urgent updates be communicated during the final two weeks before launch? Options: Daily stand-up calls, Emergency Slack channel, Email + critical phone tree, On-site command center, Other
      • What would you like us to present at the first stakeholder readiness review (format and top 5 agenda items)?
    2. Deployment Enablement

      Schedule and execute staffing, marketing, technical rehearsals, ticketing setup, and trial events with clear owners and timelines.

    3. Validation Checklist

      Verify acceptance criteria after the trial events: financial reconciliation, audience metrics, technical performance, and stakeholder sign-offs.

      Validation Questions

      Start with the Story: Tell Me About Your Venue

      • Briefly describe your venue—its mission, seating capacity, and the communities you primarily serve.
      • Who legally owns the building and who currently manages day-to-day operations? Options: Municipality / City, University, Nonprofit organization, Private owner, Other
      • How old is the facility and when was the last major renovation or systems upgrade? Options: < 5 years, 5–10 years, 10–20 years, 20+ years, Unknown
      • What types of events dominate your calendar today (select all that apply)? Options: Local community performances, Professional touring productions, University/education events, Private rentals (weddings, conferences), Film screenings, Other
      • Tell us about one recent event that felt particularly successful—what made it work?
      • What three things about the venue do you wish more people understood?

      Are We Settling for 'Good Enough'?

      • When you look at the venue’s outcomes over the last two years, where do you feel compromise has become the default?
      • Which of these symptoms best describes what you’ve started to accept as normal? Options: Chronic calendar gaps, Repeated technical failures, Consistent operating deficits, Low audience retention, Deferred maintenance surprises
      • How often do last-minute technical or staffing issues force changes to programming or openings? Options: Almost every event, Frequently, Occasionally, Rarely, Never
      • Think of a time you felt embarrassed or let down by the venue—what happened and who felt it most (elected officials, donors, artists, audiences)?
      • If current trade-offs continue, what’s the most likely outcome you worry about in 12–24 months? Options: Loss of funding/donors, Forced program cuts, Emergency closure for repairs, Erosion of community trust, Replacement of leadership/management

      Who's Really Driving This Decision?

      • Who in your organization would have final approval to change the venue’s management or operating model? Options: City Manager / Mayor, Board Chair / Board, University Provost / President, Cultural Affairs Director, Finance Director, Other
      • Which stakeholders hold informal veto power or strong influence even if they’re not the final signatory? Options: Elected officials, Major donors, University department heads, Key community presenters, Labor/unions, Other
      • What political or institutional timelines (e.g., election cycles, budget approvals, accreditation reviews) constrain your decision window? Options: Immediate (0–3 months), Near-term (3–9 months), Within the fiscal year, After next election/budget cycle, Unsure
      • How do internal stakeholders typically signal success—by financial breakeven, audience growth, cultural impact, or something else? Options: Financial breakeven/reduction in subsidy, Increase in paid attendance, Diversity/representation of programming, Fewer maintenance incidents, Improved press/community sentiment, Other
      • Share an example of a prior venue decision that was derailed—what broke down in the approval or governance process?

      What’s Empty on Your Calendar—and Why It Matters

      • Why do you think certain weeks or months consistently go unbooked—pricing, marketing, technical capacity, or demand? Options: Pricing too high, Insufficient marketing/audience development, Technical limitations, Competition from other venues, Unclear booking policies, Other
      • How long does it typically take from initial booking inquiry to confirmed performance date for external presenters? Options: < 3 months, 3–6 months, 6–12 months, 12–18 months, 18+ months
      • What percentage of your ticketed events meet or exceed projected ticket sales? Options: > 90%, 70–90%, 50–69%, 25–49%, < 25%
      • Who are the repeat presenters or presenters you’d like to see more of—what stops them from returning consistently?
      • How do you currently prioritize dates—community access, revenue generation, contractual obligations, or political considerations? Options: Community access, Revenue generation, Contractual obligations, Political considerations, Mixed/prioritized by season
      • Tell a story about an event that failed to attract expected audiences—what went wrong in planning, marketing, or execution?

      What Are We Afraid Will Happen If Nothing Changes?

      • If the current operating model continues, what’s the single outcome that keeps you awake at night? Options: Permanent funding cuts, Loss of a major donor or sponsor, Emergency facility closure, Reputational damage, Artist/community exodus
      • Quantitatively, what has the venue’s annual operating deficit looked like the last three years (or estimate)? Options: Surplus, Break-even, < $50k deficit, $50k–$250k deficit, >$250k deficit, Unknown
      • How would a major equipment failure (HVAC, rigging, sound) impact your ability to host upcoming contracted events? Options: Immediate cancellations likely, Major rescheduling required, Minor disruption manageable, Contingency plans exist
      • Which constituencies (e.g., donors, council members, faculty) are most sensitive to negative outcomes—and how have they reacted in past crises?
      • How long do you think you have—realistically—before financial or operational pressure forces a decisive change? Options: < 6 months, 6–12 months, 1–2 years, 2+ years, Unsure

      If We Could Build a Sustainable Operating Model, What Would It Feel Like?

      • Imagine the venue is thriving three years from now—what three measurable things would prove that success to you?
      • Which of these outcomes is the highest priority for your leadership team? Options: Eliminate subsidy / financial sustainability, Fill the calendar with high-quality programming, Increase community access and equity, Reduce maintenance surprises, Raise venue profile regionally
      • What realistic audience targets would you set for a season (average % capacity, new patrons per year, subscription growth)? Options: > 85% avg capacity, 65–85% avg capacity, 45–64% avg capacity, < 45% avg capacity, Prefer not to set now
      • Which trade-offs would you accept to achieve sustainability—more commercial rentals, tighter programming curation, increased ticket prices, or longer contract commitments? Options: More commercial rentals, Tighter curation, Increase ticket prices, Longer contract terms, Other
      • Describe one innovation or change you secretly wish the venue could try but haven’t yet—what’s holding it back?

      What’s On the Table—and What Won’t Be

      • What are the non-negotiables or absolute constraints we must honor (e.g., union agreements, community use policies, historic preservation rules)?
      • What contract length and structure would your leadership consider reasonable for a management engagement? Options: Short pilot (6–12 months), 2–3 years with trial clauses, 5+ years, Only seasonal/annual renewals, Undecided
      • What budget range is realistically available for venue management and operations (annual operating subsidy or management fee)? Options: No subsidy available, < $100k, $100k–$300k, $300k–$1M, >$1M, Prefer not to disclose
      • Are there insurance, indemnity, or indemnification constraints that would block standard third-party operations (min limits, public entity exceptions)? Options: Yes - significant constraints, Yes - minor constraints, No constraints, Unsure / need counsel
      • What level of transparency and reporting cadence would you require from an operator (financials, audience metrics, maintenance logs)? Options: Monthly, Quarterly, Semi-annual, Annual, As requested

      What Would Make a Trial Booking Convincing?

      • What single metric would convince leadership that a trial booking proves the operator can deliver (net revenue, % of capacity, presenter renewals, technical reliability)? Options: Net revenue target met, % capacity target met, Presenter signs follow-up booking, Zero critical technical failures, Community/donor satisfaction
      • Which of the following acceptance criteria would you require to consider the trial successful (select all that apply)? Options: Financial reconciliation within X days, Audience metric thresholds, Technical rehearsal success checklist, Stakeholder sign-offs (city/university/board), No safety/complaint incidents
      • How quickly do you expect financial reconciliation and reporting after a trial event? Options: Within 7 days, Within 14 days, Within 30 days, Within 60+ days, Undecided
      • Who must sign off on trial acceptance—list names/titles and their minimum concerns to approve moving forward.
      • Are you open to a staged trial (smaller event leading to a larger one) as a way to de-risk the partnership? Options: Yes, Maybe, No

      First Steps Together: How Do We Keep Momentum?

      • If we agree to proceed with a discovery pilot, who will be our day-to-day contact and who will be the executive sponsor?
      • What documents and data would you be willing to share in the next 30 days to speed assessment (financials, tech specs, maintenance logs, ticketing reports)? Options: Financial statements, Technical drawings/specs, Maintenance logs, Ticketing/sales reports, Programming calendar
      • What are the top three questions or objections you expect from decision-makers during contract discussions?
      • Which communication channel and cadence work best for updates during a trial (email weekly, biweekly calls, in-person reviews)? Options: Weekly email, Biweekly call, Monthly in-person, Ad-hoc as needed, Shared project workspace
      • What would make you hesitate to move forward even after a strong trial result—list potential deal-breakers we should address early.
  7. Success

    Review outcomes against KPIs, capture operational learnings, and maintain a shared channel for issues and enhancement requests.

    Success Reviews

    • Quarterly KPI Review & Performance Reconciliation
    • Operational Retrospective & Lessons Learned
    • Issues & Enhancements Triage (Monthly)
    • Stakeholder Feedback & Relationship Review
    • Shared Channel Handover & Governance Workshop

    Issues & Enhancements

    • Adjust KPIs or reporting cadence if needed to reflect shared expectations.
    • Draft the Lessons Learned report and updated SOPs for review.
    • Schedule pilot sessions or training to validate updated processes.
    • Assign a technical owner to implement immediate fixes and track outcomes.
    • Publish the finalized playbook to the shared channel and notify stakeholders.
    • Review Open Backlog Snapshot
    • Reduce backlog by assigning clear owners, SLAs, and timelines for the top-priority items.
    • Ensure visibility and predictable communication to stakeholders about issue resolution.
    • Keep the shared channel current and accurate as the single source of truth.
    • Create tickets for newly accepted enhancements with defined acceptance criteria.
    • Update the shared channel with owner assignments, SLAs, and scheduled completion dates.
    • Notify impacted presenters or stakeholders of resolution timelines.
    • Archive items closed in the meeting and record rationale.
    • Meeting Context & Desired Outcomes
    • Validate stakeholder satisfaction and identify any unresolved concerns requiring action.
    • Select a path forward for the relationship (renew, revise, escalate, or exit) with clear next steps.
    • Welcome & Objectives
    • Prepare a renewal or amendment proposal outlining commercial and reporting changes for decision-makers.
    • Schedule targeted follow-ups with dissenting stakeholders to address specific concerns.
    • Publish a stakeholder summary and agreed communication plan to the shared channel.
    • Purpose & Scope of the Shared Channel
    • Establish a single, governed source of truth for issues and enhancement requests.
    • Agree clear workflows, SLAs, and owner roles to ensure timely resolution and accountability.
    • Ensure stakeholders and operational teams are trained and ready to use the channel effectively.
    • Create the shared channel, populate initial backlog, and invite the agreed user list.
    • Publish governance documentation and ticket/report templates in the channel.
    • Schedule and run short training sessions for channel users.
    • Set recurring governance review meetings and reporting schedule.
    • Confirm which KPIs are met, which require remediation, and which trigger contract clauses or escalation.
    • Agree on a reconciled financial position for the period and required corrective actions.
    • Assign owners and timelines for remediation or acceptance steps.
    • Capture decision record for governance and public reporting needs.
    • Produce and distribute an agreed reconciled KPI & financial report with sign-offs.
    • Create remediation plans for each failed KPI with owners and deadlines.
    • If applicable, prepare an escalation memo for the board/commission highlighting risks and requested decisions.
    • Update the shared channel with outcomes, artifacts, and assigned owners.
    • Pre-work Confirmation
    • Document clear operational lessons tied to specific incidents and impacts.
    • Agree a prioritized list of process changes and pilots with owners and timelines.
    • Ensure operational knowledge is captured in a single accessible playbook.
    • Issue / Enhancement Workflow
    • Stakeholder Sentiment Summary
    • KPI Dashboard Review
    • Categorize & Reprioritize
    • Timeline Recap of Key Events
    • Assign Owners & SLAs
    • What Went Well
    • Roles, Access & Ownership
    • Community & Presenter Experience Highlights
    • Financial Reconciliation
    • SLA & Reporting Cadence
    • Audience & Programming Outcomes
    • Resource & Schedule Check
    • Political & Donor Risk Assessment
    • What Broke & Root Cause Analysis
    • Renewal/Scale Options & KPI Adjustments
    • Technical & Operational Performance Summary
    • Templates, Notifications & Training Plan
    • Process & Policy Improvement Brainstorm
    • Communication & Stakeholder Updates
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